Auto Tune V7.6.8 For Mac
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Auto Tune V7.6.8 For Mac
Auto-Tune (or autotune) is an audio processor introduced in 1996 by American company Antares Audio Technologies. Auto-Tune uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances.
Auto-Tune was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch. The 1998 Cher song "Believe" popularized the technique of using Auto-Tune to distort vocals. In 2018, the music critic Simon Reynolds observed that Auto-Tune had "revolutionized popular music", calling its use for effects "the fad that just wouldn't fade. Its use is now more entrenched than ever."
According to the Auto-Tune patent, the referred implementation detail simply consists, when processing new samples, of reusing the former autocorrelation bin, and adding the product of the new sample with the older sample corresponding to a lag value, while subtracting the autocorrelation product of the sample that correspondingly got out of window.
Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague's wife, who had joked that she could benefit from a device to help her sing in tune. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that "When voices or instruments are out of tune, the emotional qualities of the performance are lost."
Used by stars from Snoop Dogg and Lil Wayne to Britney Spears and Cher, Auto-Tune has been widely criticized as indicative of an inability to sing on key. Trey Parker used Auto-Tune on the South Park song "Gay Fish", and found that he had to sing off-key in order to sound distorted; he claimed, "You had to be a bad singer in order for that thing to actually sound the way it does. If you use it and you sing into it correctly, it doesn't do anything to your voice." Electropop recording artist Kesha has been widely recognized as using excessive Auto-Tune in her songs, putting her vocal talent under scrutiny. Music producer Rick Rubin wrote that "Right now, if you listen to pop, everything is in perfect pitch, perfect time and perfect tune. That's how ubiquitous Auto-Tune is." Time journalist Josh Tyrangiel called Auto-Tune "Photoshop for the human voice".
YouTuber Conor Maynard, who has received criticism for his use of Auto-Tune, defended the audio processor in an interview on the Zach Sang Show in 2019, stating: "It doesn't mean you can't sing ... auto-tune can't make anyone who can't sing sound like they can sing ... it just tightens it up ever so slightly because we're human and we are not perfect, whereas [Auto-Tune] is literally digitally perfect".
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